Archive for category Self-publishing
Public Lending Right (PLR) is on its way for ebooks. Until now only ebooks downloaded on library premises, to fixed terminals and then taken away on loan have qualified for PLR payments. Legislation was passed last month (April 2017), in the Digital Economy Bill, which extends the UK Public Lending Right legislation to include remote loans of ebooks. These new arrangements are expected to apply to loans from July 1st 2018, with the first payments being made in arrears in February 2020.
I have written previously about how to get self-published ebooks into public libraries via the distributor Overdrive but there are a couple of things to bear in mind before rushing off to do so:
- It is not possible to keep an ebook in KDP Select and make it available through other channels e.g. public library loans
- Under PLR legislation, loans are collected using ISBNs. Many of the ebooks published through Kindle Direct Publishing have only the Amazon assigned ASIN.
So, this is good news for a lot of authors, who will, in the future, get recompensed for ebook loans. Others will have to take decisions about whether it’s better to stay exclusive to Amazon in KDP Select with its marketing/Kindle Unlimited benefits or go wide to other ebook distributors and obtain an ISBN.
Any traditionally-published/self-published authors have an opinion on this new legislation?
Last month total sales of the psychological thriller, Bedsit Three, passed the 1,000 mark.
At this point it’s worth reflecting on the breakdown of sales across retailers. It’s not what I was expecting 18 months ago when the novel was first published.
I expected Kindle to generate the largest number of sales because it is still, by far, the largest ebook sales platform. However, Bedsit Three was shortlisted for a competition organised by Kobo and Silverwood Books. On the back of this, I contacted Kobo and was able to get the book included in some promotions, which obviously paid off.
The lesson going forward? Don’t get obsessed by the benefits of KDP Select (which requires authors to keep their books exclusive to Amazon). Dip your toe in the water and try other ebook retailers as well.
Regular readers of this blog will know that one of the reasons I chose to distribute Bedsit Three via Smashwords is the access it gives to Overdrive, a platform which supplies e-books to public libraries. My original blog post can be read here.
Recently Smashwords announced the addition of a new library distribution channel via Bibliotheca. Bibliotheca is the operator of the cloudLibrary™ digital lending platform which is used by over 3,000 public libraries in America, Canada, U.K. and Australia. So the Smashwords distribution network now includes almost all major library e-book platforms including OverDrive, Baker & Taylor Axis 360, Gardners UK (Askews & Holts and VLeBooks) and Odilo. Those of us indie authors choosing to distribute our e-books via Smashwords can now reach 30,000 public and academic libraries across the globe.
Many libraries today lack the funds to buy print books. E-books are a cheaper option and can offer a way into the library system for indie authors. Unfortunately e-books do not qualify for PLR payments so writers only receive their standard royalty on the e-book sale. But being in the library catalogue generates exposure that may lead a reader to purchase other books (print or digital) by the same author.
The biggest factor in the indie author’s decision about whether to take advantage of Smashwords wide distribution channels is the abandonment of Amazon KDP exclusivity and the potential benefits that scheme can bring.
Self-publishers who have opted out of Amazon’s KDP Select are free to distribute their e-books via other platforms, as well as Amazon.
Individuals can also purchase e-books directly from Smashwords, from where they can choose to receive the e-book in a variety of formats, for example .mobi for Kindle and epub for Kobo, Nook and tablets.
In order to encourage these individual purchases, Smashwords lets authors create money-off coupons to distribute directly to selected readers (such as book reviewers, competition winners etc.) or more generally via social media. The author selects the discount percentage (up to 100%, thus making the book free), the expiry date and the number of redemptions (for example only the first 100 customers using the coupon will get the discount). Smashwords then generates a discount code for the author to distribute as he chooses.
I’ve been playing around with the Smashwords Coupon Manager and have created a 50% off coupon code VZ95D for Bedsit Three. It’s valid until 31/10/2016 or for the first 50 people – whichever comes soonest.
So, if you’re fed up of Amazon’s supremacy, try buying your Kindle e-book from Smashwords and save some money too!
Rosie Amber is a reader extraordinaire, in August alone she read and reviewed thirteen books, ranging from The Hundred Year Old Man Who Climbed Out Of The Window And Disappeared by Jonas Jonasson through The Honey Trap by Mary Jane Baker to Wild Boys After Dark by Melissa Cooper. Rosie also has a team of reviewers and book bloggers whose reviews appear daily on Rosie’s blog.
So last month I approached Rosie and asked if she, or her team, would like to review Bedsit Three. She agreed to offer it to her reviewers and three .mobi files (for Kindle) went off to her team. Two of those reviews have now been completed.
Both reviewers awarded four out of five stars.
If I was doing my sales pitch now I’d just quote you the good bits but I’m going to be honest and quote the constructive criticism too – criticism that I’ll be taking particular note of as I work on my second book.
On the positive, Terry Tyler said, “… the characterisation is extremely good – I loved the parts about the increasingly disturbed Ignatius, and Sandra and Ian are both real and likeable, the sort of characters you root for. The plot is perfectly paced, alternating between the three main characters, with no boring bits; I was not tempted to skip read at all, and read 80% of it in one sitting.”
On the negative, she said, “On occasion I felt the dialogue was a little unlikely, and I thought Ian’s story was too speedily and rather drearily wound up in the epilogue (I hoped for so much better for him!), but these are my only complaints, and they are but minor.”
On the positive, Judith Barrow said, “I really enjoyed this novel, it’s a good psychological thriller that steadily builds in tension until the end. Sally Jenkins’ style of writing is easy to read without being cosy. Her words take the reader steadily through the plot without revealing too much, yet there is also subtle foreshadowing. .”
On the negative, she said, “My only disappointment in the whole of this book was with the dialogue. Sometimes, with all of the characters, I thought the dialogue was stilted (perhaps a little contrived?) and didn’t fit their portrayed personalities. Every now a then a section of speech felt as though it was there, not so much for exposition, but for explanation to the reader.”
Thank you very much Terry and Judith for your comprehensive and helpful reviews (I’ll definitely be watching my dialogue next time!). And many thanks to Rosie for setting the whole thing up and tweeting tirelessly!