Posts Tagged Lorraine Hellier
Over the last few weeks I’ve been trying to get started on a new novel. My usual strategy is to create a quick list of scenes that get me from beginning to end and then I start writing.
BUT, invariably, as I get to know the characters and the story-line better, I go off plan. My narrative goes around the houses and there’s a lot of wasted time and much re-writing. This time I want to avoid all that. So, I’ve been using a couple of resources to help me create a proper story structure and character arcs before I get too deep into the writing.
The Snowflake Method
The Snowflake Method was pioneered by Randy Ingermanson and was recommended to me by children’s author Lorraine Hellier.
This method dictates that the writer should start with the simplest premise possible and gradually expand to create plot and character details. For example, step one is ‘Write a one sentence summary of the story’. Step two is ‘Expand to a one paragraph summary.’ By following all six steps, the writer ends up with character bibles, a four-page synopsis and a scene list. The Reedsy website explains how to use The Snowflake Method in an easy to follow way. In addition, there are lots of useful resources on Reedsy such as character and story structure templates to download, which I found useful.
5 Secrets of Story Structure: How to Write a Novel That Stands Out
At time of writing this is a free e-book by KM Weiland. It’s short and easy to read. Most of us will be familiar with the three-act structure but this book provides more plot points on which to hang the story. For example it talks about pinch points which are small turning points between the main plot points.
I found the book very useful.
If you’re looking for more reading on the subject of novel structure, have a look at the five recommendations in this blog post by Rachel McCollin.
Finally, if you’ve got a tried and tested plotting/structure technique, please add it in the comments below!
Having a theme for a novel or story is something I’ve always struggled with. I can cope with the internal and external conflicts that a character must have and the plotting of the ‘journey’ each character must go on, in order to emerge, changed in some way, at the end of the tale. The theme is something much bigger but also much simpler than all of this other detail. The theme will not be mentioned explicitly in the story but will occur and reoccur subtly throughout the narrative in the actions of your characters. The theme will generally be something to do with being human, for example growing old, maternal love or keeping secrets.
I don’t believe it’s necessary to have the theme before starting a fiction project because often it will evolve organically. For example you may notice that your characters are all motivated by greed, be it in slightly different ways, maybe one is greedy for money but another is greedy for fame and attention.
So what made me start thinking about theme?
A friend of mine, children’s author Lorraine Hellier sent me a useful link to an article on theme on the Reedsy blog. The article compares the structure of a novel to an iceberg split into three sections:
- Plot i.e. the events of the narrative. This is the smallest part of the structure.
- Story i.e. internal and external character conflicts.
- Theme. This is the huge chunk of iceberg beneath the water and drives both the plot and the story.
I’ve found this a useful concept to muse on as I ponder over what should happen next or how a character should act/react in my current WIP.
Knowing your theme makes it much easier to tell others what your book is about. Instead of delving into the detail of the plot, start with a sentence on the theme, for example, “It’s about how power corrupts.” (Animal Farm by George Orwell)
Why not take a look at the Reedsy article and let me know what you think?
If you write for children it’s important to know that the language and sentence structures within your work are suitable for the age range of your target reader. For the rest of us, it can be useful to get an idea of how accessible our writing is, i.e. is it understandable to most people or are our sentences and words too long?
The children’s author Lorraine Hellier recently introduced me to a function within Microsoft Word that measures the readability of manuscripts. It’s very easy to set up. Within Word take the following steps:
- In the ‘File’ tab, click ‘Options’.
- Select ‘Proofing’.
- Ensure the ‘Check grammar with spelling’ box is selected.
- Select the ‘Show readability statistics’ box.
Next time the spell check facility is used within a document, at the end you will be shown a ‘Readability Statistics’ pane. Among other things this shows the Flesch Reading Ease Index, the Flesch-Kincaid Grade Level and the percentage of passive sentences.
The Flesch Reading Ease index works on a 100 point scale, the higher the index, the easier a document is to understand. A score between 60 and 70 is acceptable for most documents.
The Flesch-Kincaid Grade Level gives a manuscript a US school grade level. This link gives a conversion from US school grade to age and to UK school year. Roughly, the US grade + 1 = UK school year. For example 5th grade = year 6 = age 10/11.
Writers for adults will find the passive sentence percentage most useful. Eliminating passive sentences makes any writing more immediate and effective. We often write passive sentences without noticing, so this is a great tool for highlighting the need to go back through a story and rewrite these phrases.
How easy to read (and active!) is your work?