Posts Tagged Writing West Midlands
Maria is a professional storyteller and excellent at drawing the audience into her imaginary world. She does this through the use of her voice, body language and, of course, her choice of words. Maria knows her imaginary world and the characters who inhabit it so well that the listener is soon a believer in that world too. And this was the point that Maria wanted to get across to us during the workshop:
It is essential to spend time thoroughly imagining the setting/world of your story AND the background/motivation of the characters who live in this world.
Maria got us practising this technique in a variety of ways. She began by telling us a captivating story from the Middle Ages about two green children from a green world who accidentally find themselves on Earth and the subsequent problems they have as outsiders who look different. We then:
- Did some role play. One pretending to be the green girl and the others asking her questions about how she felt.
- Did a piece of writing from the point of view of the green girl reflecting on becoming a mother on alien Earth.
- Worked together to create a huge map of the green world and then wrote about the landscape.
- Attempted to write a piece from the point of view of the cave which was the portal between Earth and the green world.
By the end of the day I felt fully immersed in the green world and the character of the green girl. The benefit of doing this for the novel I’m working on would be huge – so that’s my next challenge!
An unexpected bonus from the day was coming face to face with fellow writer and blogger Julia Thorley for the very first time. Julia and I have followed each other’s blogs for several years but never met before. So it was a strange sensation when we looked at each other across the workshop table, each thought the other looked familiar and as soon as we said our names, realisation dawned! It was lovely to get the chance to work together during the workshop – and have our photo taken to mark the occasion! Julia has also written about the day.
We’ve just entered Twixmas – that funny sort of no-man’s land between Christmas and New Year. The big event, for which we’ve planned, prepared and worked, is over. The slightly lesser event is still a few days away. Many of us are still off work, surrounded by leftovers, chocolates and the Christmas TV Guide. It’s a good time to relax, ponder and mentally prepare for the year ahead.
Here are a few things to ponder, as you sit with your feet up and enjoy another mince pie:
Morgen writes the regular competitions feature in Writers’ Forum magazine. She is now organising a free email critique group for pieces of fiction of up to 3,000 words. It works on a mutual, writers helping writers, basis. For every submission you critique, you will get one piece of your own work critiqued. This sounds like a great way of getting feedback on your work and honing your own critique skills (which will help you edit your own work in the future).
Should E-Books be VAT Free?
Books and other printed matter have always been free of VAT because it is thought taxing these items is akin to taxing knowledge. However, digital publications are subject to VAT. This hits many disabled people, who find digital reading far easier than handling a paper book.
On 4th December 2018, an EU directive was passed allowing member states to bring VAT on digital publications in line with VAT on books i.e. 0% in the UK. Whether or not to follow this directive is down to the individual countries and, of course, after Brexit, the UK will be able to decide for itself. A campaign has been started to persuade the UK government to abolish VAT on digital publications. If you would like to get involved, sign the petition or read more about it, nip over to Axe the Reading Tax.
Regional Writer Development Agencies
Most regions have a body dedicated to promoting writing in their area. This is likely to be done predominantly through workshops, events and conferences. Many of these agencies also have mentoring schemes. Living in the Midlands, I’ve attended events organised by Writing West Midlands and Writing East Midlands. Both run mentoring schemes. A list of similar organisations is provided by the National Centre for Writing and Jamie Edgley Rhodes. Take a look and get some writing outings into your 2019 calendar!
Finally, if you’ve got a Christmas gift card from a certain online retailer burning a hole in your pocket, The Promise is currently only £5.75 in paperback.
Wishing you all a happy, healthy and successful 2019! Hope it’s filled with lots of reading and writing.
Many interesting questions were asked about making social media work as a promotion tool for writers. The outcome of the session was that Twitter is an essential part of a writer’s toolkit.
It shouldn’t be used to post family & friends stuff – Facebook is the place for that – and it shouldn’t be used to continually shout ‘buy my books!’ I get the impression it’s purpose is to engage in sensible conversation and to follow those who may be tweeting useful information such as agents, publishers etc.
I think I’ve mentioned previously that I’ve yet to dip my toe into Twitter and perhaps I’ve dragged my feet so much that by the time I string together my first tweet, everyone else will have disappeared off to the next big social media thing.
So, I’m asking all you Tweeters to give me your advice:
- What do you tweet about and how often? Is it OK to repeat yourself on Facebook and Twitter (as long as it’s not a cat video or other ‘silly’) or do you attract the same audience on both platforms?
- How much time do you spend tweeting and/or reading other people’s tweets?
- How do you get followers?
- Is it expected that you will follow everyone who follows you? (I believe there is a ‘mute’ button if you want to switch people off).
- Do you think Twitter is beneficial and if so, in what way?
- Anything else I need to know?
Please feel free to put your Twitter handle in your comment too.
On a different subject and to show that writers come in a multitude of guises, at the Toolkit I came across someone who used to write labels for museum exhibits and someone else who used to write Ceefax pages for the BBC.