“Keeping On, Keeping On,” said Alan Bennett. But I’m wondering whether that is always the right thing to do? Should there come a point when it’s best to draw a line in the sand, say, “I tried my best”, and then move onto something else?
I’m going through a dry patch in my writing. You may remember me telling you that I had a second book on submission with my agent and was keeping my fingers crossed. As with the earlier novel, this one also failed to find a home with one of the big publishers. I suggested trying both books with the smaller, digital first publishers. My agent felt unable to add much to this process and therefore we agreed that I would proceed down this route un-agented. I have submitted to several places but, as of this moment, nothing has come of it.
I’ve put a lot of work into getting so near, but yet so far. People tell me that I did well to get taken on by one of the best agents in the country. I understand that and I learned a lot from the process. But it’s still very difficult to get re-enthused about starting all over again on another novel that might also never see the light of day.
I’ve considered returning to short stories and have managed to write two. One’s gone off to a competition and the other one is waiting for a final edit before I try it with The People’s Friend. However, the short story market has shrunk and shrunk and shrunk, so I’m not feeling optimistic.
And, at the moment, the article pitches seem to be landing on deaf ears after a good run of successes.
On a more positive note, I am two weeks into a free Zoom novel-writing course run by Jacci Turner. She’s running the course in the US at 10 am, which is a convenient 6 pm BST but there is an Australian in the cohort joining from a darkened house at 2:30 am! I’m hoping this course might re-ignite my passion and enthusiasm.
But in the meantime I’d love to hear your opinion/advice:
Should I continue ‘keeping on, keeping on’ as a writer or call it a day and find something else? How do you cope with dry patches like this?