Entries can be fact or fiction and there are categories for prose and poetry. However, the subject matter must have a connection with some aspect of mountaineering, rock climbing, walking or ski mountaineering / ski-touring.
In both categories the prizes are: 1st £200: 2nd £100; 3rd £50.
Prose entries should be a maximum of 2,000 words and poems a maximum of 200 words long.
Closing date is 31st August 2020.
As always, please read all the terms and conditions before entering.
The Canal and River Trust is asking for 300 words of your experiences of being by water.
The Trust says: You could recall a peaceful stroll, reminisce about spotting wildlife on a boating holiday or spin a yarn about a fishing trip with an unexpected twist. The subject matter is endless – the only condition is that the piece must be inspired by a visit to river or canal cared for by the Trust.
The judge is poet and author Ian McMillan. The winning entries will be published on the Canal & River Trust website and the winners will receive personally signed copies of Stephen Fry’s books – The Ode, Paperweight and Mythos.
Closing date is 31st August 2020 and don’t forget to read the terms and conditions.
Although lockdown is gradually easing, there are still lots of things we can’t do. Groups meeting together indoors is one of them. This has led to the rise and rise of Zoom, video conferencing software that most of us had never heard of at the beginning of March but now use regularly. I take part in Speakers’ Club and Shared Reading on Zoom. We have family catch-ups and quizzes and there’s been guided alcohol tasting too!
On Saturday I tried something new – an all-day Writers’ Retreat on Zoom.
It was organised by Sophy Dale of Fully Booked and ran from 10:30 am to 4:30 pm. There were around twenty of us online and Sophy stopped any chaotic, cross conversation by keeping us all on mute. Instead of speaking we typed in the chat box a few sentences about what we intended working on. This included novels, short stories, blog posts, a translation and a guided meditation, among other things. For those who didn’t have a project in mind, Sophy provided writing prompts and also offered guidance to anyone who was struggling or had questions.
Introductions and explanations over, Sophy set a timer for 45 minutes, we all minimised the Zoom window and started writing.
It’s amazing how a defined time limit and the knowledge that others are beavering away too helps creativity! I focused on the chapter I was writing and the words came quickly.
After 45 minutes we were all called back together to add more comments to the chat window and then take a five minute comfort break before the next writing sprint. At lunchtime Sophy gave us an hour away from the screen and encouraged us to get some fresh air (I mowed the lawn, which went some way to cancelling out the ‘guilt’ I felt for spending a whole day on writing).
Through the course of the day we had five writing sprints. I switched from churning out words to reviewing the structure of the story and ironing out parts of the plot that didn’t work.
At the end of the afternoon there was time for comments on the day and everyone deemed it thoroughly beneficial. Sophy is planning on doing it all again sometime later in the year.
It struck me that a retreat like this would be easily organised by a group of writing friends – but it would require someone to have the paid-for version of Zoom. I fear the continuity of the retreat would be lost if participants had to keep logging into a new meeting every 40 minutes!
Have you got a rare and valuable first edition sitting on your bookshelf? Would you like one?
I recently came across an article on LoveMoney.com detailing the phenomenal sums achieved by the first editions of some books. Remember, when these books were first bought, the purchaser was often taking a gamble on an unknown author, simply hoping to find a good read and having no thought to what the book might be worth in the future.
Here are some examples to check for on your shelves:
A first edition of Bridget Jones’ Diary can fetch up to £303 or £500 if signed.
A signed US first edition of The Talented Mr Ripley can be worth up to £7,678.
First editions of either Animal Farm or 1984 by George Orwell can sell for £10,000.
A first edition of Harry Potter and the Philosopher’s Stone was saved from a skip by a teacher helping to clear out a school library. It sold for £33,000.
The Abe Books website has a useful article about identifying first editions. It’s not straightforward because different publishers use different identification methods. As a starting point, the publisher may state the words ‘first edition’ or ‘first printing’ on the copyright page. Alternatively, look at the number line – that’s a line of numbers on the copyright page. If a one is present then it’s usually a first edition. Sometimes booksellers are able to identify a first edition by a printing error that was later rectified.
It’s not too late to start your collection of first editions or gift one to somebody else. I have some copies of psychological thriller, The Promise available for only £6.99, including second class postage within the UK. These books can be signed, personalised with a special message or left pristine. An excellent present for yourself or someone you can’t get to see at the moment. For more details or to order, please email firstname.lastname@example.org.
Disclaimer: There is no guarantee that your copy of The Promise will rise in value, just as there is no guarantee that your lottery ticket will win the jackpot.
What Amazon reviewers say about The Promise:
“… there is something about the way that Sally Jenkins writes that draws me in and keeps me wanting to read more.” – Whiskas’ Mum.
“I was particularly surprised to find out much sympathy I felt for Tina, she is a very well written character.” – Theda.
“Desperate times call for desperate measures! How far would you go to protect yourself!!” – dash fan
Many of you are familiar with my e-book Kindle Direct Publishing for Absolute Beginners. Now there is a sister publication: Kobo Writing Life Publishing for Absolute Beginners. Both books are structured in a similar way, taking the novice e-publisher from the definition of an e-book and deciding what to write to uploading a manuscript to either Amazon or Kobo and using the marketing tools provided by these respective platforms.
The idea for the Kobo Writing Life book was born after a consultation with Tara Cremin, a Kobo Author Experience Manager, about making the most of the Kobo platform.
Kobo is based in Canada and has a large audience share there and in Australia. The company’s market share is also growing very fast in the Netherlands and Kobo’s partnerships with bookshops around the world, including Bookworld in New Zealand and FNAC in France and Portugal, are a factor in its increasing popularity. Importantly for self-published authors, in 2019 one in four of the titles sold by Kobo in Canada was by an independent author published through Kobo Writing Life. This love of new independent voices is a growing trend across Kobo’s major markets. More than 30 per cent of the titles sold in Australia are from independent self-published authors, 27 per cent in the United States, and 20 per cent in the United Kingdom. These statistics are a compelling reason for making your book available on the Kobo platform. Another good reason is that Kobo Writing Life is one of the easiest and friendliest e-publishing platforms to deal with. Kobo has a personal touch with authors that Amazon often lacks. If you have any questions, Kobo Writing Life is very approachable which means that some writers choose to cut their e-publishing teeth with Kobo instead of publishing on Amazon first.
Amongst other things Kobo Writing Life Publishing for Absolute Beginners explains how Kobo can make your e-book available for purchase by public libraries via Overdrive and how to get access to promotions run by Kobo where your book may be mixed in with titles on sale from major publishers. In common with the original KDP book, it also covers more general e-publishing topics such as how to obtain a book cover and writing a series of books. This is in order to fully inform the newbie e-publisher.
Kobo Writing Life Publishing for Absolute Beginners is available on Kindle and Kobo.
And I’m delighted to say that Kobo Writing Life Publishing for Absolute Beginners is currently featured on Kobo’s Best Books for Writers page.
In tandem with producing the Kobo e-book I have also revised Kindle Direct Publishing for Absolute Beginners for 2020. The tweaks are mostly small, the only major change is the removal of VAT from e-books sold in the UK. This means that the 35% KDP royalty rate now applies to books priced from 77p to £1.76 and the 70% royalty rate is from £1.77 to £9.99.
The revised version of Kindle Direct Publishing for Absolute Beginners is available now from Amazon.
Following on from last week’s post about the Sunday Times Crime Writing Competition, here’s another free writing competition to get your teeth into during lockdown.
Poetry on Loan are asking for poems of up to 20 lines on the theme of either ‘The Unexpected’ or ‘Vision’.
Poetry on Loan promotes contemporary poetry through public libraries in the West Midlands and the competition is open to anyone who lives, studies or works regularly in the area.
The closing date is 1st September 2020.
The prize is a paid performance as part of a Poetry on Loan event. However, it’s not known how long it will be before libraries can run events again, therefore if a performance can’t be arranged before May 2021, the winner will receive a cash prize of £75 instead. The winner of the junior section of the competition will receive WHSmith tokens.
Full details of the competition can be found on the Poetry on Loan website.
If you don’t have a connection with the West Midlands, why not write a poem anyway so that you’ve got ‘something in the bank’ to send out next time a suitable competition comes up?
Here’s a fabulous competition for unpublished crime writers (self-published authors are eligible to enter).
It will be judged by Elizabeth George, creator of the Inspector Lynley series.
First prize is a personal masterclass with Elizabeth plus an editorial consultation with the commissioning editor for crime at Hodder & Stoughton, Elizabeth’s UK publisher. Runners up will also be offered the editorial consultation.
Entry is by an online submission form and it requires the first chapter (up to 2,500 words) of your crime novel plus a 200-word synopsis.
Closing date is 2nd June 2020 and don’t forget to read the full terms and conditions.
If the weird times we live in are making it difficult to concentrate on a longer piece of writing, here’s a short, fun competition to take your mind off things.
June 9th 2020 is the 150th anniversary of the death of Charles Dickens. To mark the occasion the Journalists’ Charity (which was started by Dickens) is holding a competition to pen a portrait of the 21st century character you think would have deserved the author’s attention. This character description should be no longer than 300 words. To guide you, there are examples on the competition page of pen portraits that Dickens wrote about some of his characters such as Scrooge from A Christmas Carol, Miss Tox from Dombey and Son and Mr Bounderby from Hard Times.
The competition winner will be awarded a certificate and a unique depiction of the winning character, drawn by Veteran Fleet Street Cartoonist Stanley McMurtry (MBE) (better known as MAC).
The closing date is June 9th 2020 and entry is free. However, donations to the Journalists’ Charity are welcomed.
Also, entrants must agree to waive any copyright in regard to publication of their work to promote the aims and work of the Journalists’ Charity.
There are no Dickensian pen portraits in A Coffee Break Story Collection but there are 36 short stories and plenty of characters who have caught the eye of competition judges and magazine editors. If you (or a loved one) would like some easy reading to dip in and out of, A Coffee Break Story Collection is available on Kindle and in paperback from Amazon.