Archive for category Events
Birmingham Literature Festival 2018 is currently underway and one of the first events was an edition of the BBC Radio 4 political panel show, Any Questions. It was broadcast live from Birmingham Repertory Theatre last night (5th October) and repeated again today. I was in the audience for the show (if you listen carefully I’m sure you can pick out my particular clapping!) and, although I’m not a political animal, I thoroughly enjoyed it.
When we arrived, the theatre was surrounded by men in high-vis jackets clearing away the security cordons (fences and concrete bollards) that had been put in place for the Conservative Party Conference – the theatre is only a few paces from the International Convention Centre. We were reminded of the conference again by the ‘warm up’ lady, Midlands BBC political journalist Kathryn Stanczyszyn, who did a great job of recapping the week’s main political events and taking us through the clapping warm-up. We did polite clapping, middling clapping and extremely enthusiastic clapping.
On arrival the audience were asked to write down any questions they’d like to ask the panel. Ten questions were chosen and the questioners brought down to sit in the front row. Then the chair, Jonathan Dimbleby and the four members of the panel were brought on to the stage, Shadow Home Secretary Diane Abbott, President of the Greater Birmingham Chamber of Commerce Saquib Bhatti, MP for Rutland and Melton Sir Alan Duncan and the SNP Health Spokesperson Philippa Whiford. With minutes to go before live broadcast, an audience member posed the warm-up question, “What is your favourite Abba track?” The panel’s answers were used as a sound check. We heard the 8 pm pips, the news headlines and then Jonathan Dimbleby was live on air introducing the panel.
Lively discussion followed on Brexit, Theresa May, austerity and the possibility of cyber rather than physical warfare. As opinions bounced from the panelists, the audience graduated through the three types of clapping and added shouts as well. The final question book-ended the warm-up question, “Theresa May came onto the conference platform to ‘Dancing Queen’. What song would you choose?”
Verdict on the evening: Very interesting and I was amazed at how calm the production team and panel were, given it was a live broadcast. I would’ve been a nervous wreck! If you get the chance, go along (it’s free!) or apply to host the show at a venue near you.
Have you ever tried reading aloud to an audience?
Recently I took part in my first fiction evening. It was organised by thriller writer A. A. Abbott (aka Helen) and held at the Gunmakers’ Arms in Birmingham (worth a visit – it’s a lovely traditional pub). When Helen invited me to take part I was a bit dubious, talking to an audience is one thing but trying to hold their attention for several minutes while reading aloud is another. It’s far easier to build audience rapport when you can make constant eye contact, talk with your hands to make a point and ask rhetorical questions to get the audience thinking. Reading aloud means the audience has to concentrate all the time, if they tune out they lose the thread of the story – it’s essential to keep the audience with you. But I decided to give it a go – the worst that could happen would be seven minutes of boredom for the audience.
On the night Helen was a great compere, introducing us all with enthusiasm, live tweeting photos and making sure it all went smoothly. I chose one of my shorter stories (worried about holding audience interest!) that had been published in The Weekly News and also appears in A Coffee Break Story Collection. I practised it several times at home, getting the hang of looking up at the audience without losing my place. I think it went OK – nobody shuffled, people had their eyes on me when I glanced at the audience and there was clapping at the end. The other seven performers were terrific with great stories and some haiku too.
Would I do it again (if invited!) ? I think so but I’d choose a different kind of story. For me the stories that worked best on the night were those with a very strong central character going through an unusual event/experience and very few minor characters. It’s essential that the audience is immediately interested in the main protagonist and not distracted by other characters. Possibly that’s how all short stories should be written anyway.
Sunday November 11th 2018 marks 100 years since the end of World War 1. There will be many events to mark this important occasion and to thank those who lost their lives for us. These include 10,000 people marching past the Cenotaph in London (ballot applications to be part of the march close 12th August) and mass church bell ringing across the nation.
Poets are also playing their part in the 100 days leading up to the centenary of the Armistice. Every day a 100-word piece of writing, known as a centena, will be published by the Imperial War Museum. In each piece, the first three words are repeated at the end, as the conclusion. Each centena will focus on an individual who lived during the First World War and the impact the war had on that person. The aim is to look at people from every part of society. Katie Childs from the museum told the Sunday Times, “By releasing a centena each day, I hope that we are able to demonstrate the very different experiences of the First World War, and the impact it had on people and places long beyond the Armistice.”
The first centena was published on Sunday 5th August and was written by Angus Grundy from the perspective of Leopold Lojka. Lojka was driving the car carrying Archduke Franz Ferdinand when he was assassinated. Ferdinand’s murder led to the First World War. The second centena is by Therese Kieran and is about a Belgian embroider who spent the War in Ireland. I find today’s centena by Miranda Dickinson particularly moving. It’s about a bride married during her new husband’s 48 hour leave from the army. He returns to the front line and she goes to pose for a wedding photograph alone.
These pieces of writing are a fitting memorial to those who lived through such turbulent times and perhaps they’ll inspire some of us to get creative before November 11th 2018.
UK publishing is London-centric – the majority of our big publishers and agents are in the capital. This year Orion Books attacked that problem by going on tour and taking publishing to other parts of the country. At the beginning of July they were in Birmingham and I went along to see what they were doing.
The event was held in a smallish function room in the Cosy Club. It was busy, noisy and (given our current heatwave) very hot! There were complimentary drinks and nibbles plus a table heaving with brand new books. The latter were free for the taking, as many as we wanted – guess who was glad they had a fold up shopping bag to hand!
I talked to Orion publishing, editing and marketing staff. I renewed my acquaintance with historical fiction author Joanna Courtney I said hello to the presenters of the Brum Radio Book Show and chatted to book bloggers, readers and the manager of a Waterstones’ branch.
It was definitely worth going and not just for the books! I learned that some books published by a company as big as Orion have a zero marketing budget but that social media, used in the right way and with the right contacts, can work wonders. I learned that book bloggers are really nice people with a genuine passion for books but are often drowning under the number of review requests they get! I learned that authors with big book deals still get anxious about their writing ability and crave company during the long days of being a full time writer.
Finally, I noticed there were far more women than men in the room – does that mean more women than men love books?
At the end of April I was in York for the ASC’s 2018 Conference and National Competition Finals.
I’ve never attended before and was only there this year because, to my surprise and shock, I won my way through the Club, Area and District rounds of the speech competition. When I entered the Club competition last November, I didn’t anticipate that five months later I’d be representing the Midlands in competition against seven other contestants from all parts of the UK. My anxiety levels were sky high and further increased by having to use a clip-on microphone for the first time and face my biggest ever audience.
But what has this got to do with writing?
I needed a subject for my speech. It had to be something I could talk about enthusiastically, something most people would have an interest in and something I could structure logically into a speech.
So I ‘taught’ the audience how to write a romantic novel (how many people have you heard say – ‘I could/would like to write a novel?’).
I only had eight minutes to speak so it was a quick and dirty ‘lesson’ based on the following points:
- Choosing a genre
- Choosing a setting
- Naming characters
- Obstacle to the love affair
- Event that brings the couple back together
To drive each point home I concocted a romantic ‘novel’ about Tony and Janet falling in love and having a date at the hotel where the conference was being held. I concluded by revealing the absolute peanuts that most authors get as financial reward and asked the audience the question, ‘Is it worth it?’
I didn’t win and wasn’t placed in the top three. I was up against some fantastic speakers. The winner was a sixteen-year-old girl who was extremely confident and gave an excellent performance, talking about the scourge of selfie-taking complete with props of a mobile phone and selfie stick. However, we all received a lovely paperweight as a souvenir of the occasion.
Later at the event, I was talking to a lady and she told me how members of her party had been having fun in the bar dreaming up their own spoof romance based on my speech. I was delighted to hear this – it meant people had listened to me and had absorbed and remembered what I’d said. And isn’t that what public speaking is all about?
It fascinates me how our past affects our present and future lives. The past might be our upbringing and parental influences, it might be something we did that makes us ashamed and secretive, it might be the impact of external events on our everyday lives.
Recently I went to see Chicken Soup in the Studio Theatre at the Crucible in Sheffield. Written by Ray Castleton and Kieran Knowles, the play focuses on three miners’ wives and shows the effect the 1984/85 miners’ strike had on the rest of their lives, their family relationships and on their enduring friendship. There are three acts, each one in a different year: a 1984 soup kitchen/foodbank during the strike, a 2002 Queen’s Golden Jubilee party and a foodbank on the day of the 2016 EU Referendum. To add to the atmosphere the audience are given vouchers to claim a free serving of soup in the interval – forced to form a queue at a makeshift ‘soup kitchen’.
By 2002 and 2016 the lives of the three women have taken different paths. Following the strike one has become more politically active and is now a councillor. One has bettered herself by taking accountancy exams and ends up a high-flying career woman. The third seems stuck in the past, still carrying a hatred for her brother who crossed picket lines during the strike. Each has been affected in a different way by the past.
This made me think about my own characterisation when I’m writing fiction. Do I think sufficiently about how each character has come to be where they are? Am I dropping the important parts of their past into the story subtley or am I shoehorning in great hunks of backstory? Are the characters acting realistically, given what they’ve been through in the past? Why are different characters affected in different ways by the same past event?
What about you – do you think about how the past is motivating your characters’ actions in the present? How do you tell the reader about that past life? Do you know their past before you start writing their present?
Those of you who’ve been following this blog for a while will know that a few years ago I joined Sutton Coldfield Speakers’ Club in order to gain the public speaking confidence necessary to promote myself and my books at author events. Last week I was part of a panel of three judges for a speech competition at a neighbouring club. The speeches were 6 to 8 minutes long and had a completely open theme.
All the speakers were confident in front of an audience and all chose subjects with wide appeal. They all did well. After we’d decided on the winner and runner-up, we judges discussed the points the head judge should make in her summing up of the competition. The aim of the summing up was to give general advice for the contestants and members of the audience to take away. Listed below are some of these points plus other tips I picked up from my observation of the speakers. They maybe useful to those of you devising an author talk:
- Beware of meaningless gestures i.e. continually moving your arms as you speak
- Beware of keeping your arms rigidly still throughout – include a few meaningful gestures e.g. expanding your arms to describe the size of something or stamping a foot to jolt/surprise the audience
- Project your voice from the very first word you utter. Grab the audience’s attention!
- Don’t continually sway from side to side or move your weight from one foot to another. It’s disconcerting to watch a human pendulum!
- Inject a little humour. Not in the form of a joke but perhaps a throwaway observation on something the audience is familiar with.
- Make eye contact with all parts of the audience – this means shifting your eye gaze around the room as you speak.
- Speak with minimal reference to notes – this will free you up to make appropriate gestures and make lots of eye contact with your audience. Don’t read your talk!
From my own experience, I would add – don’t be put off if someone in the audience falls asleep. This has happened to me twice when speaking to groups of older ladies. The first time I put it down to the fact that we’d all just enjoyed a nice, big lunch. The second time, the organiser warned me in advance that one particular lady always went to sleep when they had a speaker and sure enough, I saw her head nod and her eyes close quite soon after I’d started.
However many times you do it, speaking in public is nerve-wracking – if you’d like to practise in front of a sympathetic audience, find a Speakers’ Club near you.