Archive for category Competitions
I’ve been rather quiet about my own literary endeavours of late, so here’s a quick update.
At the beginning of February the first three chapters and synopsis of last year’s NaNoWriMo manuscript generated a call for the full manuscript from my agent. Since then I’ve been working on bringing the rest of the manuscript up to scratch. Today I pressed ‘send’ and now have around six weeks to wait for the verdict.
I’ve also completed a training course (via Zoom) to become a Shared Reading Group Leader. I’m looking forward to the end of restrictions and the opportunity to get a real-life group started.
So what do I do while I wait for the above two things to come to fruition? I’ve made a little list of possibilities. They won’t all get done but, hopefully, the list will mean I don’t waste too much time procrastinating:
- Complete article commissioned by The People’s Friend
- Chase up pitches outstanding with other publications.
- Attempt to win my way to the Swanwick Writers’ Summer School by entering their short story competition.
- Publish my short story collections on Kobo when the relevant KDP Select enrolments end. This will involve sourcing new covers. Kobo cited the existing covers as a factor in stopping the books being accepted into their promotions.
- Investigate whether I have enough short stories to publish another collection.
- Revisit the categories/keywords on my existing KDP publications.
- Update Kindle Direct Publishing for Absolute Beginners.
Watch this space to find out how I get on!
What’s everyone else working on? Are you a list-person or do you just go where the whim takes you?
This is such an unusual theme for a poetry competition that I just had to give it a mention here!
According to the competition website: “The Dead Cat Poetry Prize is an annual poetry competition de(a)dicat(t)ed to the world’s best poetry about felines that have shuffled off their nine mortal coils. The first prize will be awarded in 2021”.
However, this competition is not all doom, gloom and dead cats. Visit the website’s FAQ (Fiercely Anticipated Questions) page and you will learn that poems about cats who are still alive can also be submitted. Poems concerned with ‘feline mortality’ will be accepted, even if the subject is still alive.
So what are you waiting for?! Pens and felines at the ready, please!
Closing date is March 17th 2021. The entrance fee is £2.75. There are prizes of £25, £10 and £5 and winning poems will be published on the website.
(By the way, the cat in the picture isn’t mine. It was spotted on holiday in Passau.)
We couldn’t go on holiday this year but I spent the latter part of the summer travelling the length and breadth of the Scottish Highlands. In books.
I was a reader for the longlist of the Highland Book Prize.
The Highland Book Prize is an annual book prize that celebrates the talent, landscape and cultural diversity of the Highlands. It is open to fiction, non-fiction and poetry.
In 2020 there were 52 entries, which were initially reviewed by a panel of 145 volunteer readers, comprising both industry professionals and avid readers. Our opinions and comments were then aggregated to build a longlist of thirteen books.
The longlist will be read by a panel of experts who will draw up the shortlist. The final winner will be announced in May 2021 and will receive £1000 and a place on a writing retreat at Moniack Mhor.
Reading for the longlist was a great experience. I was sent a mix of fiction, memoir, non-fiction and poetry. Some of it challenged me and other stuff was more along the lines of my usual reading matter. I learned a lot about the people, landscape and nature of the Highlands. I’m hoping to be on the panel again next year. If you’d like to take part as well, applications to be a reader in 2021 are now open.
On another subject entirely, if you are struggling to find the time or space to write, you might be interested in this post, which I wrote for Lightbox Originals.
Entries can be fact or fiction and there are categories for prose and poetry. However, the subject matter must have a connection with some aspect of mountaineering, rock climbing, walking or ski mountaineering / ski-touring.
In both categories the prizes are: 1st £200: 2nd £100; 3rd £50.
Prose entries should be a maximum of 2,000 words and poems a maximum of 200 words long.
Closing date is 31st August 2020.
As always, please read all the terms and conditions before entering.
The Canal and River Trust is asking for 300 words of your experiences of being by water.
The Trust says: You could recall a peaceful stroll, reminisce about spotting wildlife on a boating holiday or spin a yarn about a fishing trip with an unexpected twist. The subject matter is endless – the only condition is that the piece must be inspired by a visit to river or canal cared for by the Trust.
The judge is poet and author Ian McMillan. The winning entries will be published on the Canal & River Trust website and the winners will receive personally signed copies of Stephen Fry’s books – The Ode, Paperweight and Mythos.
Closing date is 31st August 2020 and don’t forget to read the terms and conditions.
Following on from last week’s post about the Sunday Times Crime Writing Competition, here’s another free writing competition to get your teeth into during lockdown.
Poetry on Loan are asking for poems of up to 20 lines on the theme of either ‘The Unexpected’ or ‘Vision’.
Poetry on Loan promotes contemporary poetry through public libraries in the West Midlands and the competition is open to anyone who lives, studies or works regularly in the area.
The closing date is 1st September 2020.
The prize is a paid performance as part of a Poetry on Loan event. However, it’s not known how long it will be before libraries can run events again, therefore if a performance can’t be arranged before May 2021, the winner will receive a cash prize of £75 instead. The winner of the junior section of the competition will receive WHSmith tokens.
Full details of the competition can be found on the Poetry on Loan website.
If you don’t have a connection with the West Midlands, why not write a poem anyway so that you’ve got ‘something in the bank’ to send out next time a suitable competition comes up?
Here’s a fabulous competition for unpublished crime writers (self-published authors are eligible to enter).
It will be judged by Elizabeth George, creator of the Inspector Lynley series.
First prize is a personal masterclass with Elizabeth plus an editorial consultation with the commissioning editor for crime at Hodder & Stoughton, Elizabeth’s UK publisher. Runners up will also be offered the editorial consultation.
Entry is by an online submission form and it requires the first chapter (up to 2,500 words) of your crime novel plus a 200-word synopsis.
Closing date is 2nd June 2020 and don’t forget to read the full terms and conditions.
If the weird times we live in are making it difficult to concentrate on a longer piece of writing, here’s a short, fun competition to take your mind off things.
June 9th 2020 is the 150th anniversary of the death of Charles Dickens. To mark the occasion the Journalists’ Charity (which was started by Dickens) is holding a competition to pen a portrait of the 21st century character you think would have deserved the author’s attention. This character description should be no longer than 300 words. To guide you, there are examples on the competition page of pen portraits that Dickens wrote about some of his characters such as Scrooge from A Christmas Carol, Miss Tox from Dombey and Son and Mr Bounderby from Hard Times.
The competition winner will be awarded a certificate and a unique depiction of the winning character, drawn by Veteran Fleet Street Cartoonist Stanley McMurtry (MBE) (better known as MAC).
The closing date is June 9th 2020 and entry is free. However, donations to the Journalists’ Charity are welcomed.
Also, entrants must agree to waive any copyright in regard to publication of their work to promote the aims and work of the Journalists’ Charity.
There are no Dickensian pen portraits in A Coffee Break Story Collection but there are 36 short stories and plenty of characters who have caught the eye of competition judges and magazine editors. If you (or a loved one) would like some easy reading to dip in and out of, A Coffee Break Story Collection is available on Kindle and in paperback from Amazon.
Back in 2011 I wrote a post about Women Only Writing Competitions. At the time they seemed to be a ‘thing’.
Recently two men have independently stumbled across that old post whilst searching for ‘men only’ writing competitions and each left a comment indicating that they don’t think it necessary to have such discriminatory entry requirements. And I agree with them – surely it’s the standard of writing that’s important and not the sex of the writer. Women have come a long way since the days of writers such as the Bronte sisters, who had to hide behind male pseudonyms. I feel we can now compete on equal terms.
Since 2011 other forms of restricted entry have emerged, for example asking for entries only from the LGBT community or from minority ethnic groups or from writers of limited financial means or from particular age groups. I assume that these entry restrictions are imposed because the competition organisers are either looking for stories from these particular viewpoints or the prize is a bursary aimed at those in need or it’s been found that writers from these groups are reluctant to enter open writing competitions. These are all valid reasons for using specific competitions to encourage writing in particular groups.
However, I hope that in the future all writers will feel comfortable entering all competitions, confident that their stories will be judged without prejudice. Meaning that in the future competition organisers (or publishers) might specify if a particular character/story type is required rather than the type of author required. Of course bursaries for those on a limited income should continue to be awarded to those talented writers in the most financial need.
In the meantime here are a few ‘restricted’ competitions, lifted from the pages of this month’s Writing Magazine:
The Nan Shepherd Prize for Nature Writing – for unpublished writers who consider themselves under-represented in nature writing, through gender, class, sexuality, ethnicity, disability or any other circumstance. Closes 10th September 2019.
The Mo Siewcharran Prize – for unpublished UK novelists from a BAME background. Be quick! Closes 29th July 2019 (but will run annually).
Mslexia Fiction and Poetry Competitions – open to women only. Close various dates in September 2019.
Passager Books are seeking submissions of poetry, memoir and short fiction from writers over 50. Closes 15th September 2019.