Archive for category Markets
A well-crafted poem is a beautiful thing. Unfortunately I’m not clever enough to create one but I know that several of you are capable of writing beautiful and clever poetry.
Here are two opportunities to get your skills noticed by a wider audience:
- Tony Williams, the poetry editor of English: The Journal of the English Association, invites you to send up to six, previously unpublished, poems plus a 30-word bio to email@example.com. Selected poems will be published in the journal. There is no payment but the journal has a large global readership who will see your bio. Poems on teaching/classrooms are particularly wanted before 31st May 2017. There is no deadline for poems on other subjects.
- The Emma Press has a call out for submissions for poems about travel for an anthology titled In Transit: Poems about Travel. The anthology will be produced in collaboration with the Centre for Travel Writing Studies at Nottingham Trent University. ‘Poems may describe journeys undertaken on foot, by bicycle, motorcycle, wheelchair, ambulance, bus, train, plane, boat or other mode of transport.’ The deadline for submissions is 28th May 2017 and In Transit is scheduled for publication in April 2018. Full details can be found on the Emma Press website.
Happy poetry writing!
The Emma Press is after your poems about life in Britain. They are looking for “poems about customs, rituals, festivals, holidays, celebrations and regular events that take place in the United Kingdom of Great Britain and Northern Ireland, on a micro level (what one person or one family might do) as well as on a larger scale.” Successful submissions will be included in an anthology about customs and rituals in Britain.
A maximum of three poems may be submitted and in order to submit you must be a member of the Emma Press Club. As far as I can see, this means that you have to have bought one Emma Press book in the calendar year you submit (& I think this can be an e-book costing £3.50) and this entitles you to enter submissions for the entire year. So it doesn’t appear to be any more expensive than paying a competition entry fee – and you get something back for that fee!
The closing date for submissions is 26th March 2017 and I suggest you read the full terms and conditions.
The customs, rituals and events of Britain is a very wide brief – why not grab a pad and pen and brainstorm some ideas?
Much is written in the blogosphere and on social media about the diminishing market for women’s magazine stories. I haven’t submitted any womag fiction for a while but am still interested in the area and mentioned it in a talk I gave a couple of weeks ago.
The group I was speaking to consisted mainly of retired, but very active, women. I told them how my writing career had moved through articles, short stories for women’s magazines and on to longer fiction.
At the end, several of them told me how they’d stopped buying some of the magazines when the fiction was replaced by celebrity/real life stories. One lady said that she really enjoyed the Woman’s Weekly Fiction Specials because they were ‘proper stories with a beginning, a middle and an end’ and they gave her something nice to read before she went to sleep at night. Several mentioned that they liked the mix of things in My Weekly.
It makes me wonder whether the magazines that dropped fiction had a noticeable increase in sales afterwards or whether it brought them no obvious benefit. They certainly lost readers from the group I spoke to.
(By the way, if you’re wondering about the significance of the flower photo – this beautiful array of colour was a gift following my talk.)
The official guidelines for The Weekly News are on that treasure trove of information, Womagwriter’s Blog, but here are some of the other points that I made in my presentation:
Research the market. The Weekly News can be hard to get hold of but I find it more readily available in smaller newsagents and convenience stores rather than WH Smith or large supermarkets. Ask your newsagent to reserve a copy for you. Alternatively, stories that have been previously published in The Weekly News can be found in these two e-collections: House Guests and Other Stories and Old Friends.
The twist should come as late as possible in the story and will often turn the tale completely on its head BUT the reader should not be lied to. The story should make complete sense whether read with the twisted ending in mind or the ending that you hope the reader will assume is coming.
Types of Twist
- Character Identity – the small boy nervous about going to school turns out to be the headmaster
- Character Motive – the head juror is pushing for a quick verdict not because he’s in a hurry to get home but because he’s actually committed the crime and therefore wants the defendant sent down ASAP
- Location – the stranded climber is not on a mountain top but is on a climbing frame in the park
Things that (seem to) work for me:
- Having a male main character (both sexes read The Weekly News)
- Aiming at the lower end of the 1200- 1500 required words. These stories pull the wool over the reader’s eyes and the fewer words, the easier that is.
- Keep the time period for the story as short as possible (I’m talking seconds/minutes rather than days) to keep it snappy
I know that a lot of you are successful Weekly News writers and probably have your own personal set of ‘rules’. You might prefer to keep them secret from the competition(!) but if not, do they differ greatly from mine?
Finally a shout-out to some of the people who helped Saturday go with a swing:
Marilyn Rodwell who ably orgainsed the whole day
Bella Osborne who taught us how to plan our novel (and gave us post-its to play with)
Lizzie Lamb who talked about her self-publishing and marketing experiences
Alison May who educated us about editing and said it’s OK to hate your first draft
Helen Barrell who talked about all things social media
and fellow blogger Maria Smith who came and introduced herself to me – lovely to put a face to a name.
The benefit of making a book available in paperback (instead of e-book only) is the ability to ‘hand sell’ copies i.e. sell direct to the reader. Since the publication of Bedsit Three I’ve been taking my first steps in this direction. As well as selling to friends, family and acquaintances, I’ve done two small-scale book-signings linked with local charity events and last week I practised my ‘author speech’ for an audience of 6 writers (who all bought a book).
It’s hardly the big time but I can now celebrate emptying my first box of 50 paperbacks and starting on the second. There are a couple of events lined up for March – and it feels good not to depend on Amazon for all my sales!
I’ve learned a few things along the way too:
- Get a foot in the door at charity events by offering to make a donation for each sale
- Don’t be surprised if people proudly proclaim, “I never read books”
- People will buy books for odd reasons – I made one sale to a lady who wanted it because we share a surname and another to a lady whose daughter’s married name is Sally Jenkins
- Decide beforehand what dedication you will write in the books – will it just be ‘Best wishes’ or something else?
- Take a pen that writes smoothly
- Take a float of change
- Don’t be disheartened if you only sell a few books. Keep that smile on your face and be pleasant – every event is a networking activity too and you never know where it might lead.
It’s important to make the most of all sales channels but in my opinion selling by hand is far more pleasant than dreaming up clever things to put on social media.
What does anyone else think?