Notes From A Big Country by Bill Bryson

If you want to learn the art of writing humour based on everyday life, this is the book to read.Notes from a Big Country by Bill Bryson

It’s also the first book by Bill Bryson that I’ve ever read. It came into my hands not through choice but because members of the library reading group that I coordinate requested something by Bill Bryson.

Notes from a Big Country is a collection of Bill’s columns about life in America that appeared in the Mail on Sunday‘s Night & Day Magazine in the late 90s. Despite being twenty years old the topics addressed are still interesting today, things such as the death penalty, Americans driving everywhere instead of walking, the devastating effect of a skunk spraying in your home, the history of diners (they came in prefabricated kits on the back of lorries) and how low key Christmas is in the US compared to here.

Bill Bryson has a wonderful turn of phrase and this quote made me smile in particular: My father, who like all dads sometimes seemed to be practising for a world’s most boring man competition.

I read the book straight through from start to finish because of our looming reading group meeting but I would advise others to dip in and out so that each column can be savoured like a favourite chocolate.

I had another American connection this week when I was congratulated on Twitter for my article in the Washington Post.  Unfortunately I had to be honest and admit to never having written for the Washington Post and explain that the article was probably written by my doppelganger, the US sports writer Sally Jenkins.  This is the second time I’ve been mistaken for my more famous counterpart. A couple of years ago I was contacted by someone who wanted help with their autobiography following ‘my’ success ghosting Lance Armstong’s It’s Not About the Bike. Perhaps one day the US Sally Jenkins will be mistaken for me!

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The Phoenix Project: A Novel About IT, DevOps and Helping Your Business Win

If (like me) you work in IT Operations for a largish organisation then you’ll find this novel interesting. If you don’t then you probably won’t.The Phoenix Project

A lot of IT Operations work is fire-fighting. Things go wrong, the users of the software that’s failed jump up and down and shout, then (hopefully) IT Operations fix the problem and everything goes back to the status quo. The things that go wrong are classified according to their impact on the business. For example a ‘P1’ might be a major failing in the software that allows customers to place orders on the internet – no orders means no profit for the business and this issue would receive the highest priority. In contrast a bug found on a little-used report would receive the lowest priority, perhaps ‘P5’.

The Phoenix Project opens with Bill (who is newly promoted) facing a ‘P1’ issue in the payroll software. He has to find a way of making sure people still get paid and thus avert a labour force walk-out. The stress that Bill is under leaps from the page and, if you’ve ever had to sort out major software problems as part of your job, your heart will increase, you will start sweating and you will empathise fervently with what Bill’s going through.

But the clever thing about The Phoenix Project is that it’s a novel-cum-textbook, so readers learn something too. It is written by three advocates of the DevOps movement (if you’re not in IT don’t worry about that term) and takes the reader on a journey with Bill as he improves the IT landscape for his organisation. It explains the thought processes and practice behind encouraging software developers to work more closely with IT operations colleagues in order to streamline the implementation and testing of new programs.

WARNING: This book should not be taken on holiday or read at bedtime because it will increase not decrease your stress levels.

To 99.9% of you this book will sound deadly boring. But it is a bestseller in its genre. At the time of writing it is #4,052 in the whole UK  Paid Kindle Store, out of the four million plus Kindle e-books available. I’m not aware of any marketing for this book – it seems to be all word of mouth from colleague to colleague.

We’re always told to write what we know and to utilise our everyday experiences and working lives. But I’ve always shied away from stories set in computer departments (apart from one Christmas story published by My Weekly last year) because most people would find them tedious. However, The Phoenix Project shows that, with some clever thinking, it is possible to turn the mundane into a successful book.
I wish I’d thought of it first!

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Catching Up

Over the past couple of months I’ve mentioned a few of my writing-related activities and I thought it was time to give an update.

At the beginning of April, I announced that I was going to use April as a ‘private’ NaNoWriMo and try to write a rough first draft of my next novel.  This actually took longer than planned. Partway through I realised that one of my minor characters had much more potential than one of my main protagonists. So I had to re-work much of what I’d done. I killed off the boring main protagonist (when he was only a baby!) and brought the minor character to the fore. I now have 58,000 words and a LOT of work to do.

At the beginning of June, I wrote that I’d uploaded Bedsit Three to Smashwords in order to get it into the Overdrive store, from which many public libraries purchase e-books. Once I could see it available in Overdrive, I went to my local library to ask for the contact details of Birmingham’s e-book buyer so that I could make myself known as a local author. Unfortunately, I was told that there was no budget at all for new books – not even e-books. On the plus side, they were receptive to the idea of an author event and (fingers crossed) will be contacting me in September when all the school holiday activities are over.

A couple of weeks ago, I launched a price promotion on Kindle for Bedsit Three. I reduced it from £2.25 to 99p for 2 weeks. I calculated that I needed to sell 4.5 times as many books at 99p as at £2.25 to make it a viable long-term price point. That number of sales hasn’t materialised so, barring a sudden surge today (30th June 2016) the price will rise again tomorrow.

And finally, I was pleased to receive a gift from Iain Pattison this week – a paperback copy of That’s Why The Lady is a Vamp. It’s a collection of off-beat comedy tales, full of unexpected twists and lots of humour. Plus, the high spot is a guest appearance by yours truly! If you’d like a free e-copy of one of Iain’s books pop along to his website now.

So that’s me. Anyone else got any news?

That's Why The Lady Is A Vamp

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Creative Writing Prompts

This week’s post is prompted by a writing acquaintance who was asking for suggestions of websites that have good creative writing prompts.

Creative writing prompts are useful for those times when the ideas just won’t come. Using a prompt focuses the mind and encourages the words onto the paper. It doesn’t matter if the story then goes off at a tangent from the original prompt – the prompt has already done it’s job by starting the process.

There are various sites offering creative writing prompts. Here are a few to get you started:

Many writing competitions supply a prompt in the form of a subject or theme. These prompts have the added advantages of a ready market to which your story can be submitted and a deadline to work to.

My writing buddy, Helen Yendall, is currently running one such short story competition, it’s free to enter and only requires 100 words! It closes July 12th 2016. Why not have a go?

Do you have a favourite way of generating prompts and ideas?

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Grab Yourself a Bargain!

The psychological thriller, Bedsit Three, is now 99p/99c on Kindle until the end of June!

Bedsit Three by Sally Jenkins

Since publication last October the e-book has been priced at £2.25 and I’m experimenting to see how price sensitive demand for the book is. As the price falls to less than half-price will sales rise sufficiently to make up for the vastly reduced royalties I will receive?

Bedsit Three is not in KDP Select because it’s also on sale via other e-book channels such as Kobo (where, surprisingly, it sells better than on Kindle) so this is not a Kindle Countdown deal. I have simply dropped the price across all Amazon territories.

Selling at 99p, I will receive 29p per book royalty compared to £1.29 per book when selling at £2.25. So I need to sell at least 4.5 times more books at the lower price to make me keep it at that price point. I’m interested to see what (if anything!) happens.

Extracts from Amazon UK reviews for Bedsit Three:

A psychological why dunnit reminiscent of Barbara Vine/ Ruth Rendell. Highly recommended!

I picked Bedsit Three up late on Friday evening. I had finished it by the following Sunday lunch time and I absolutely loved it. The last book that held my attention like that was Stephen King’s Misery.

Believable, empathetic characters and exciting tensions and resolutions in the fast-moving plot.

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Finding an Agent

Yesterday evening I braved the torrential rain that hit Birmingham and attended a Waterstones event on how to get a literary agent. The speakers were local authors Gemma Todd, Liz Tipping and Stephen Aryan.

Here are their stories (in brief):

Gemma Todd (writing as G.X. Todd)worked her way logically through the Writers’ and Artists’ Yearbook. She noted down all the agents working in her genre and then researched them further on the internet, looking specifically for anything that she could use to personalise each agent’s covering letter. Her first novel went out to 17 agents and received some positive comments but no offer of representation. So, she put that book aside and wrote another. She repeated her submission exercise with the second novel but also going back to the agents who’d made positive comments about the first book.
After six months of submissions with her second novel, Darley Anderson agreed to represent Gemma.

Liz Tipping found her agent, Juliet Mushens at United Talent Agency, accidentally via a Twitter appeal for ‘hilarious romantic comedies’. However, at that point Liz’s novel wasn’t finished. When it was complete, she went back to Juliet plus other agents she discovered via the internet. Liz said that she chose to submit to agents who looked ‘friendly and nice’ in their photos and, to make the experience less daunting, she turned it into a challenge to amass one hundred rejections rather than one acceptance. She also put her book on the now defunct site Authonomy and received interest from Harper Collins editors. Liz signed with Juliet Mushens and is now published by Harper Collins.

Stephen Aryan wrote eight books in several different genres over fifteen years before he was signed by an agent and published. When he started his first hunt for an agent at the turn of the century things were much more difficult because the internet was in its infancy and all submissions had to be posted rather than emailed. Now he advises using social media to follow agents that interest you and using #askagent to ask questions. Stephen was also signed by Juliet Mushens and spent a year working on the book with her and then another year working on the book with the publisher.

The overall message from the evening was positive with a theme of: ‘If at first you don’t succeed, try, try, try again’. And also a reminder that the wheels of the literary world turn very slowly.

Happy agent hunting!

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Publishing on Smashwords

This week I spent a few hours uploading the psychological thriller Bedsit Three to Smashwords.

Smashwords is the world’s largest distributor of independently-published e-books. It also sells directly to the public in a variety of e-book formats. I decided to use Smashwords in order to make Bedsit Three available for libraries to add to their e-book collections. Many libraries worldwide use Overdrive to source their e-books and the only way for an indie author to make a book available on Overdrive is to go through Smashwords (as I mentioned before in my post about the 2016 Self-publishing Conference).

Smashwords accepts a Word document which it then puts through its ‘meatgrinder’ to change into .epub format – so no great technical knowledge is needed on the author’s part. However, I hit a couple of snags during the uploading process.
Firstly I tried uploading a .docx document, this was rejected because Smashwords only accepts .doc documents i.e. those created by older editions of Word. So I had to use the ‘Save As’ function to save my document and change it from .docx to .doc.
Secondly, when I previewed the .epub produced via the ‘meatgrinder’ there was a blank page between every chapter. It took me a bit of fiddling and Googling to solve this one. I had to remove the page breaks between chapters (which Amazon and Kobo had seemed quite happy with) and replace with a few carriage returns. I think this is because Smashwords automatically inserts its own page break when it comes to a chapter heading.

The Overdrive catalogue is updated from Smashwords each Tuesday, so Bedsit Three should appear there by the middle of next week. If you’d like to read Bedsit Three for free please ask your library to add it to their e-book collection.

Incidentally, authors don’t receive PLR on borrowed e-books, they only get the one-off royalty for a single sale.

Bedsit Three by Sally Jenkins

Click to preview

A girl has been buried in a shallow grave. Rain starts to wash away the earth covering her.
A used pregnancy test and a scrap book about a suicide are abandoned in a bedsit.
Every mother tries to do her best for her child. But sometimes that ‘best’ creates a monster. 
Bedsit Three is a tale of murder, mystery and love. It won the inaugural Wordplay Publishing/Ian Govan Award and was shortlisted for both the Silverwood-Kobo-Berforts Open Day Competition and the Writing Magazine/McCrit Competition.

Available on Amazon, Kobo and Smashwords.

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Travel Writing Competition

Steve Hanson from Senior Travel Expert has been in touch to tell me about their ‘Off the Beaten Track’ travel writing competition. It’s free to enter and has a prize of £100. Books hanging in a cafe in Madrid

Entries should be “about a fascinating, relatively unknown place near to where you live or that you came across by chance when travelling around, or it may be a totally fictional place”. The winner should “persuade readers of the Senior Travel Expert website that the place you describe is somewhere they would very much like to visit”. The closing date is September 30th 2016.

Often when you’re on holiday the things you stumble across by chance turn out to be the most interesting. I’m just back from a holiday in Madrid and Barcelona.  One evening we sat in the window of a cafe in Madrid and above me was hung a display of books (see picture on the right). The next day we spotted a grand building that turned out to be The Society of Authors building – which I think is something like ALCS but please correct me if I’m wrong.

And remember, you don’t have to travel to enter this competition – your destination can be purely fictional.

Spanish Society of Authors

Sociedad General de Autores de Espana

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Books Ireland Short Story Competition

Whilst I was at the Self-Publishing Conference I picked up a complimentary copy  of Books Ireland magazine. Books Ireland magazineInside was the launch of their 2016 short story competition and it has a pretty good first prize: 400 Euros plus a writing course at the Irish Writers Centre plus publication in Books Ireland.
The second prize is 200 Euros and third prize is 100 Euros.

There is no theme, the word limit is 2,600 and the closing date is 31st August 2016. Writers of any nationality may enter. The judge is Vanessa Fox O’Loughlin, founder of writing.ie, literary agent and author.

The interesting thing about this competition is that members of writing groups receive half-price entry. The standard entry fee is 10 Euros but members of a writing group (or subscribers to Books Ireland) pay only 5 Euros.

Full details about the competition and where to send your entry are on the competition web page.

May the luck of the Irish be with you!

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2016 Self-Publishing Conference

Last Saturday I went the Self-Publishing Conference at the University of Leicester.2016 Self-Publishing Conference

I took two key messages away from the conference (as well as a bag of leaflets and promos!):

  • Self-publishing is no longer an inferior, second best alternative to traditional publishing. Well-written self-published books that are put through similar editorial and design processes to their traditional counterparts are indistinguishable from ‘normal’ books. Readers choosing a book online, in a bookshop or in the library seldom check the publisher before deciding whether or not to have the book.
  • Quality is key when self-publishing. We all know that some get-rich-quick merchants push anything out on Kindle and, unfortunately, give the rest of us a bad name. However the rules are being tightened with Amazon cracking down on books containing errors. The successful self-publisher always puts his book through quality control procedures such as copy-editing and/or proofreading.

Throughout the day I absorbed other information such as:

  • How to get e-books into the digital catalogues of libraries through Overdrive (loans of self-published material are growing). There is no PLR but it is a sale which may get you known more widely.
  • It’s free to generate a QR Code which can be added to bookmarks and other promotional materials. The code will take readers direct to your website via a smartphone.
  • Bookshops and libraries will not readily order/stock Createspace books. If it’s important to you to have copies of your books available in this way then consider a different method of self-publishing, such as through a provider like Matador.
  • How ISBNs and metadata work. This was complex and generated a lot of questions! ISBNs can now be bought singly as well as in blocks of ten.

If you’re serious about your self-publishing activities and ambitions, this is a conference well worth attending. I’ll be looking out for the announcement of next year’s date.

P.S. There was also a very good lunch plus chocolate brownies in the afternoon!

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