Annie Murray – Author Talk

Yesterday I went to hear Annie Murray speak at my local library. Annie writes regional sagas set in Birmingham, each one Annie Murraycovering various segments of the 20th century up until the 1980s. I had expected her to be an older lady who had lived in the city all her life, with a family tree connected to the area for generations. How wrong can you be?

Annie is around my own age (which to my daughters does probably mean ‘an older lady’!) and she only lived in Birmingham for around 5 years during the 1980s. But this brief stay in the city was enough to ignite her passion for the city and it’s heritage. She has been producing novels set in the area for 20 years.

Annie describes her books as being like a ‘family album’ – charting the ups and downs of ordinary people. It is people who interest her rather than history and she adds just enough of her research to the books to give a flavour of the time.

“I’m often told how vivid my novels are,” she says, “but local people subconsciously imprint their own memories of the area on to the story – thus adding to what I’ve written without realising it.”

I asked Annie if she plans her books in great detail. “No,” she explains. “I know the beginning, the end and how many years it will span. I write a half page synopsis for my publisher but then my writing is like driving in the dark. My view forward of what’s going to happen is limited like the distance illuminated by a car’s headlights.”

Like most writers, Annie has had to combine her writing with bringing up a family and it’s often put on the back burner as she deals with her other responsibilities. But that doesn’t mean her work is completely stalled. Annie thinks that writers unconsciously dwell on their work all the time and that we should all learn to work with this.

As always, it was inspiring to listen to an author who has ‘made it’ and if Annie can write sagas spanning generations without a detailed plan maybe there’s hope for the rest of us that struggle to outline everything in advance!

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The Famous Five are 70!

70 years ago, in 1942, Enid Blyton’s ‘Five On A Treasure Island’ was first published and, to mark the occasion, some of today’s celebrated

1st edition

1st edition (Photo credit: Wikipedia)

children’s illustrators have been redesigning the covers of these adventure books. Quentin Blake has started the ball rolling with the Treasure Island cover which can be seen by clicking here. Compare Blake’s illustration with that of the first edition, which I’ve used to illustrate this post. I think I prefer the original but that maybe because it’s more the style I associate with the books from my own childhood. Other illustrators who’ve been commissioned for the new covers include Helen Oxenbury, Chris Riddell, Oliver Jeffers and Emma Chichester Clark.

It was Enid Blyton’s Famous Five that gave me the reading bug many years ago. I devoured her tales of Julian, Dick, George, Anne and Timmy the dog. How I wished I could join them as they swigged ginger beer, shared their ice creams with Timmy and slept on deserted islands on beds of springy heather.

I tried reading the Secret Seven but they just didn’t hit the mark in the same way as The Five.

Malory Towers was another of Blyton’s series’ that had me hooked. I read them over and over again. Even now the names Darrell, Gwendoline, Sally and Mary Lou immediately conjure up those characters that I loved as a girl. Boarding school sounded like a fantastic place to be.

And did anyone else read The Magic Faraway Tree? The story centred around a huge tree which had different lands at the top each day. It might be The Land of Dreams, The Land of Tempers or The Land of Presents. A group of children climbed the tree and, needless to say, had adventures in the different lands alongside the inhabitants of the tree, Silky and Moonface. My favourite thing in these books was the Slippery Slip – a helter-skelter type slide which allowed the children to whizz down the centre of the tree. I reread these books aloud to my daughters when they were young and enjoyed them just as much the second time around.

Enid Blyton comes in for a lot of bad press but in my opinion she did nothing but good for children’s literature. Her captivating stories enticed generations of youngsters to enjoy reading and books – and children who read for pleasure grow into adults who buy books and continue to read for pleasure.

Does anyone else have good memories of Enid Blyton’s books – or was I the only Blyton junkie in the early ’70s?

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What Makes A Good Poem?

It was a good meeting at my writing group last week. There weren’t many of us but everyone had brought something to read and had also written it with a market in mind, including Woman’s Weekly, People’s Friend, National Women’s Register short story competition (restricted to NWR members only, unfortunately) and a Writers’ News competition.

But Iona had also written a beautiful poem that was looking for a home. It was a moving verse about a soldier trying to find peace. I liked the poem because it was accessible. It rhymed (and none of the rhymes were forced) and the language was easily understood. This led onto a discussion about whether poems should or shouldn’t rhyme and how some, much praised, poems are often difficult to understand.

I rarely write poetry (because I’m not much good at it) but when I do attempt the odd verse I automatically make it rhyme and try to give it some sort of recognisable meter. More often than not it tells a story too – I find purely descriptive poems difficult. But my poems usually end up sounding rather childish and I don’t know whether this is because of the rhyming or just a reflection of my poor writing.

Of course, not all free verse is difficult to understand, I’ve just discovered ‘You’re Beautiful’ by Simon Armitage – have a read, it’s wonderful.

What do you think makes a good poem? Should it have a recognisable form and meter or should the poet be free to compose however he or she wishes?

And just in case you’ve come over all poetic, I’ve found a free to enter poetry competition. Blue Mountain Arts is offering prizes of $300, $150 and $50. You can enter by email as many times as you like and the closing date is June 30th 2012. Full details are here. Interestingly they state, “Poems can be rhyming or non-rhyming, although we find that non-rhyming poetry reads better.”

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Multi-Story Increases Prize Pot

Helen from Multi-Story.co.uk has been in touch to tell me that for their latest short story competition, the prize pot has been increased to £500 for the first prize. Second prize is £100 and third prize £50.

The competition has an open theme and a word limit of 2,500. So there’s lots of scope there for writing something new or maybe you’ve got a favourite story which hasn’t got a home yet…

The judge is Amelia Farrell who has written short stories and serials for over 30 years, under various pen names. Have a look at the website to see what she’ll be looking for in the winning entry. But be warned, she says, “… don’t mistake me for some old girl who’s only interested in romance and cosy crime!” So this might not be the place to send a Womag story.

Entry is £5 and closing date is 30th June 2012. See the website for full details. The website also has a page giving pointers on how to improve your chances when entering competitions. Much of it has been said before but it’s always useful to have it drummed home again – especially the ‘Dare to be Different’ motto. Judges have a lot of stories to read and are looking for something that stands out from the rest.

Talking of competitions, I was pleased recently to make the longlist of the Flashbang Crime Story competition. Unfortunately, I didn’t make the shortlist but it was good to know that I’d been in the top 25% of entries.

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Free Writing Books on Kindle

Those of you with a Kindle might be interested to know that there’s currently a range of books about writing, available for free (yes, £0.00) on Amazon.

Cover of "Kindle Wireless Reading Device,...

Cover via Amazon

These include:

  • The Writer’s Idea Book by Jack Heffron
    This book has the subtitle ‘How to Develop Great Ideas for Fiction, Non-fiction, Poetry and Screenplays’. Heffron has been a professional editor for more than 15 years, has published many short stories in literary journals and won awards for his writing. Apologies, (this is embarrassing) but I’ve just been informed that this book is no longer free (thanks, Shirley!) but I’ve left the details here just in case the price is removed again (fingers crossed)
  • The Author’s Craft by Arnold Bennett.
    ‘Arnold Bennett writes in a very amusing and accessible style in this short manual of advice for authors which will be useful even to today’s writers,’ says a review.
  • Write Good or Die edited by the thriller writer Scott Nicholson.
    This is subtitled ‘Survival Tips for the 21st Century’. One reviewer said, ‘It’s a gem of a book, not least because I came away from reading this with the thought that if the writers within this book can do it? Why can’t I?’.

I haven’t had chance to read any of these myself yet so can’t give a personal recommendation but I have just downloaded The Writer’s Idea Book in the hope of finding some inspiration. By the way, free books do tend to come and go on Amazon – so if you’re interested in any of these it’s probably worth getting them sooner rather than later.

Many thanks to Philip Mallinson whose post on Writing Magazine’s Talkback Forum alerted me to these books.

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Iain Pattison

Whatever type of writing you do, there’s a lot to be learned from reading the output of those ‘further up the ladder’ and findingIain Pattison out about their working methods.

Iain Pattison is a prolific short story writer and has been widely published in magazines and anthologies. Twist endings are one of his specialities. He is also the author of Cracking the Short Story Market which covers all aspects of short story writing.

So it is fair to assume that Iain’s work and advice is worth reading if you are writing short fiction. Iain is currently one of the featured writers at The Word Hut. There’s an interesting interview with him here in which he reveals his background, views on the growing ease of self-publishing plus a bit of sensible advice for budding writers. The site is also showcasing one of his winning stories An Ugly Way To Go – have a read, it will make you smile.

If Iain’s writing and advice inspire you to pick up a pen or put fingers to keyboard, then The Word Hut are running a short story competition for stories up to 1000 words, closing date 13th May 2012.

Or you might like to try writing a piece of flash fiction including the words knit, blunder, perform and tingle. Helen Yendall is running this competition on her blog and full details can be found here. The prize is a copy of Linda Lewis’ brand new book  ‘The Writer’s Treasury of Ideas’  and the closing date is 9th May 2012.

Good Luck and, in the wise words of Iain Pattison, “Keep churning out work. Be a word factory. Soon as you’ve finished one story, start another.”

P.S. Iain is judging the Writers’ Bureau Short Story Competition this year (first prize £500 and closing date 30th June 2012).

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World Book Night 2012 Part 2

I went to the local hospital today to distribute 24 World Book Night copies of Sophie Kinsella‘s book The Secret Dreamworld of a Good Hope HospitalShopaholic.

The aim of World Book Night is to encourage people who don’t usually read to pick up a book and get into the reading habit. As writers this is something that we should support – because if there are no readers what’s the point of writing?

I started in the A & E department of the hospital. I explained to the receptionist what I was doing and gave her a book. She was delighted and promised to pass it around her colleagues, adding that they often swapped books. So that was one book given away but unfortunately not to a non-reader. This was a trend that continued for the rest of my ‘giving’ session.

I only approached women (because Sophie Kinsella writes chick-lit) and I avoided people who were actually reading a book as they waited to see a doctor but it is very difficult to tell by a person’s appearance whether or not they are a reader. So inevitably I unknowingly spoke to keen readers and they almost bit my hand off at the offer of a free book. The non-readers I came across were simply not interested in giving the book a try – no matter how much I tried to sell it as a ‘light, easy read’. The exception to this was a lovely, chatty cleaner who was very grateful for the book and said she didn’t normally read but once bought a 48 hardback book set of Agatha Christie novels – they look lovely on her shelf but she’s never opened one of them!

One person turned down the book because she didn’t like Sophie Kinsella and another because she had already read the book. Three people knew about World Book Night and a paramedic told me she’d recently seen a book left on a park bench in a polythene bag, labelled ‘Read Me’.

I enjoyed being a ‘giver’ and intend to apply again next year but I’m not sure that World Book Night is achieving its aims. I’m sure that most of the books must end up with people who are already hooked on reading. It’s very difficult to persuade a complete stranger, who says they’re not interested in reading, to take a book. I got the feeling that some of them thought there was some ulterior motive or catch to it. Similarly, once you discover someone is a reader, it’s awkward to withdraw the offer of a book – plus if I’d restricted myself to non-readers I would have been at the hospital all day trying to find enough of them willing to give reading a try.

How did anyone else get on?

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World Book Night 2012 Part 1

I’ve just collected my World Book Night 2012 books from the library. I have 24 copies of The Secret Dreamworld of a ShopaholicWorld Book Night 2012 by Sophie Kinsella to distribute on Monday 23rd April. In my application to be a ‘giver’ I said that I would distribute them in the casualty department of my local hospital – so that’s where I’ll be on Monday.

The purpose of World Book Night is to give away books to those who don’t regularly read, and thus spread the love of reading. According to the World Book Night website, “the aim is to reach and inspire those who have never discovered the value of reading”.

So I’m hoping to find lots of bored ladies waiting in casualty who might be persuaded to give reading a try. I need females because Sophie Kinsella’s Shopaholic series is essentially a chick-lit novel that I can’t see many men enjoying – but maybe they’ll take a copy home for their wife or girlfriend.

But before I can get stuck into the giving I have to write in the front of each book – my name, where I collected the books from and the book’s unique identifying number (this is logged via the World Book Night website each time the book is passed on so that its journey can be traced). I’ve written in 8 books so far and its becoming a bit of a chore – but maybe I should look upon it as practice for that book-signing that I might do one day far in the future!

Next week I’ll let you know how I got on with the giving – and if there are any other ‘givers’ (or ‘receivers’) out there, do let me know how you get on.

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Quotes About Writing

In the last week I’ve come across a couple of quotes posted on Facebook about writing and I thought you might like them as much as I did.

Jackie Sayle posted the first one, by the German novelist and short story writer, Thomas Mann, in the Bring Back Fiction to Women’s Magazines! group. I related to it instantly – what do you think?

Thomas Mann quote about writing

 

This one, posted by Marilyn Rodwell, made me feel inspired – hope it does the same for you!

A Writers's manifesto

 

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The Light Between Oceans by M. L. Stedman

The Light Between Oceans by M. L. StedmanI’ve just finished reading The Light Between Oceans by M. L. Stedman – and it is absolutely fantastic!

It is set on a tiny uninhabited Australian island, Janus, in the years after the first World War. Tom is the lighthouse keeper on Janus and lives there in solitude until his wife, Isabel, joins him. Isabel longs for a child but suffers 3 miscarriages. Then a baby is washed up on the island, in a boat with a dead man and a decision has to be made. Isabel wants to keep the baby and pass it off as the one she has just lost. Tom knows this isn’t the right thing to do but can’t bear to upset his grieving wife.

The rest of the novel deals with the fall-out from the decision that is made.

M. L. Stedman was born in Australia but now lives in London. Incredibly, this is her first novel.  According to an interview in the Sydney Morning Herald the book was subject to a bidding war and went for ‘a high six-figure sum’. Stedman has given few interviews which may also explain why I can’t find a website for her.

The book is full of detail about lighthouse keeping at the time and must have required an incredible amount of research. But Stedman has such a light touch, so it doesn’t feel like the reader is being force-fed facts. Instead Stedman makes it easy for the reader to be there on Janus with Tom and Isabel, experiencing their roller-coaster emotions.

The novel will be published in the UK on 26th April 2012 (I was lucky enough to have a review copy from Waterstone’s) – don’t miss it!

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