This England
Posted by Sally Jenkins in Markets, Writing on December 6, 2010
Many years ago when I was starting out on my writing career I did a correspondence course with The Writers’ Bureau. For one of my first assignments I wrote a short article about Birmingham Botanical Gardens and my tutor suggested I
send it to This England. I did and they published it in their Cornucopia section. I got paid and felt like a real writer.
This is a good market to aim for if you want to have a go at non-fiction writing.
This England is a glossy, quarterly magazine for “all who love our green and pleasant land.” It contains illustrated articles on English history, traditions and towns and is “read by two million patriots all over the world”.
The Cornucopia section consists of several short pieces, some written in house and some supplied by freelances. They range in length from around 250 to 400 words and cover topics such as the centenary of a Brighton cinema, Digswell Lake near Welwyn Garden City and recyling at Chatsworth House. I’ve found that the easiest pieces to get accepted are those based on an anniversary of some kind, e.g. 50 years since the birth of X, 75 years since building Y was opened.
The magazine’s Guide for Contributors states that articles should be “about our country’s people and places – its natural beauty, towns and villages, traditions, odd customs, legends, folklore, surviving crafts, etc. ” Short poems (6 to 24 lines) that are meaningful rather than clever are also accepted.
The best way of getting a feel for the style and content of the magazine is get hold of a copy (it is available in WH Smith and other good newsagents).
Submit your article (with an SAE) to:
The Editor (MSS)
This England
P.O. Box 52
Cheltenham
Glos.
GL50 1YQ
Material related to a particular date or season should be sent at least 6 months in advance. A decision on work submitted can take up to 3 months and be warned if you chase the fate of your piece before the full 3 months has elapsed, the Guide says “Material is invariably returned without further consideration to an over-zealous contributor.”
Payment is £25 per 1,000 words plus a contributor’s copy of the magazine.
Diversify, urges Graham Joyce
Posted by Sally Jenkins in Authors, Events, Writing on December 1, 2010
Novelist, Graham Joyce, gave the closing address at this year’s Birmingham Writers’ Toolkit event. 
He stressed the need for writers today to have several streams of income, especially as publishing is moving away from traditional books towards e-publishing. He suggested the following areas from which writers could source their income:
- The traditional advance on a book – however this type of payment is becoming smaller and less common
- Digital downloads – writers can sell their own work directly via their website thus bypassing publishers
- Teaching creative and other types of writing
- Performing their work
- Giving talks – schools love writers to come into the classroom or try the after dinner/lunch circuit
- Writing non-fiction
- Screen development of their work – funding is often available for this (although not for actually producing the film)
- On-line drama – ‘Kate Modern’, which was linked to BeBo, is an example of this type of drama which can be simply filmed by the author
- Computer games – these now require more narrative and emotional content. Farmville is an example of this and,surprisingly, the average player is a 47-year-old female.
By diversifying and marketing themselves and their work independently, writers can continue to work even if the fickle publishing world turns against them.
It is worth taking note of this if you are trying to build up a writing career. It shows that it may be possible to earn a living as a writer without being picked up by a major publisher – if you are willing to think laterally, become digital savvy and go out there and sell yourself.
Writing Magazine Crime Story Competition
Posted by Sally Jenkins in Competitions, Successes, Writing on November 30, 2010
Just wanted to share my good news with you – I was shortlisted to the final judging stage in the Writing Magazine Crime Story Competition. The winning story (and the shortlist) is in the January 2011 issue of the magazine (just out) and the runner-up’s story will be published on the Writing Magazine website.
No prize or publication for me but I was chuffed because it means I’ve learned something from reading the winning entries over the past months:
- The stories that do well in both Writing Magazine and Writers’ News competitions are very strong on character.
- The reader is taken right inside the mind of the protagonist.
- Other characters are few and minor.
- There is often little or no ‘action’ in the story.
Writing Magazine competitions manager, Richard Bell, reinforced this emphasis on character in the magazine’s Competition Special, earlier this year, when he said, “We have seen several excellent stories in which the main character simply undergoes an attitudinal shift; they are shown changing their opinion about something. That is not an earth shattering event, but it can be enough to provide a storyline. “
Homelessness Short Story Competition
Posted by Sally Jenkins in Competitions, Writing on November 26, 2010
You’ll have to be quick to catch this one – it was announced in our local paper, The Sutton Coldfield News, today but entries must be received (via email) by December 6th.
It’s an annual competition to raise awareness of the plight of homeless people.
Stories should be 500 words or less and be emailed to sutton_news@mrn.co.uk. Please specify which age category you are entering, 10 and under, 11-17 or 18 and over.
The winner in each category will receive a £20 book token and be published in the Sutton Coldfield News.
The prize may be small and the deadline tight but it’s a competition worth entering because:
- There is no entry fee
- It’s email entry
- It’s only 500 words
- The field will be small because it’s not widely advertised
- The field will be small because the deadline is tight
- Meeting the deadline will be a good exercise in self-discipline
- If you win it’s another cutting for your file
But don’t think you can get away with sending any old thing. I won this competition the first time it was run and have entered every year since – with no success. Each time I’ve read the winning story and realised it was more original than the tired old stereotype I was using.
So now I’m off to dream up a unique take on the homeless!
Real Writing Lives
Posted by Sally Jenkins in Authors, Events, Writing on November 23, 2010
Image via Wikipedia
There are as many different methods of writing as there are writers. There is no ‘special’ method that brings fame and fortune with it – we all have to find our own way of creating literary masterpieces whilst paying the mortgage.
At the annual Writers’ Toolkit event in Birmingham, three writers gave an insight into their working days.
Jo Bell is a poet but most of her days are filled with other activities to keep the wolf from the door. Amongst other things, she is a freelance organiser of literary events, teaches creative writing, gives readings and does book promotions. When Jo checked her diary, she had only 3 days in the next fortnight available for actual writing.
She wisely told us that we shouldn’t look upon the essential but non-writing stuff in our lives as an obstacle to being creative – instead it should be seen as something that enables the writing to happen.
Jo also advised, “Work out what you want to do and then go out and find it. This might mean knocking on doors and suggesting workshops or offering yourself as a writer in residence. Above all, make sure you get paid because otherwise you devalue Writing as a whole.”
Mike Gayle is a full-time novelist but doesn’t believe that having all the time in the world is an effective way of writing. He wrote his first book whilst still earning his living elsewhere and looked forward to his snatched periods of writing time.
“But as a full-time writer I found there was a tendency to take a whole afternoon to eke out one paragraph,” he explained, “and it’s easy to feel removed from the real world and ordinary people. This means there’s no ready raw material to feed the fiction.”
Having discovered he’s a morning person, Mike now squeezes his writing day into 9am – 1:30pm, giving himself a structure within which to work.
Chris McCabe writes novels under the pseudonyms John Macken and John McCabe. He is also a full-time Professor of Molecular Endocrinology at the University of Birmingham. He writes during his lunch hour and from 8:30 – 10:00 in the evening. He has no time for writers’ block and has to make the most of every minute.
Chris did try taking a year out from his ‘proper’ job to concentrate on writing but it didn’t work for him.
“Even though I hate gardening I found myself doing it to avoid having to write,” he said. “I need a time a shortage to get me going.”
So, giving up the day job and writing full-time might not be the best option. Most people need a little bit of time pressure to make them effective and we all need outside stimuli to feed our work.
Today’s writing prompt is:
A Last Will and Testament – who inherits what is up to your imagination.
P.S. If you fancy winning a great bundle of writing books, nip over to my writing buddy Helen’s blog and enter her (very easy) competition.
Letters to the Editor
Posted by Sally Jenkins in Markets, Successes, Writing on November 19, 2010
Receiving My Only Silver Cup Ever!
Writing letters for publication is one of the quickest (and easiest) ways of getting your name in print and there’s often a cash payment or other prize if you’re successful.
In 2007 I was the David St John Thomas Charitable Trust Letter Writer of the Year (unfortunately this particular award is no more). To win I had to provide a portfolio of letters that I’d had published over the previous 12 months and in the course of putting this together I picked up several tips for getting in to print:
- Be concise – usually the shorter the letter the better
- Study the publication – look at the letters already chosen for publication and use these as your template. Mimic their language and sentence structure. Take note of their subject matter – are they funny family anecdotes or intelligent comments on past features in the magazine.
- Say thank you – magazines like positive feedback so tell them if an article they published has helped or inspired you in some way
- Include a photograph – women’s magazines in particular use pictures of their readers, so including one will increase your chance of publication
- Don’t duplicate your letters – as with short stories and features, don’t send the same letter to two different publications. Letters must be ‘exclusive’.
- Target a variety of magazines – if you write too often to the same publication your name may go on a ‘banned’ list because readers complain if the same name continually appears. Once a letter is accepted, leave a gap before writing again.
- Be quick off the mark – if you’re commenting on something that’s appeared in the magazine, email your letter ASAP so that it can be printed in the next or second issue.
- Keep records – if a letter hasn’t appeared in print after several months and it’s content is not magazine specific, try sending it somewhere else.
There is a ‘How To’ article of mine covering this topic here.
Today’s writing prompt follows on from the theme of letters and is:
A sealed envelope
Photo courtesy of Oliver Gruener, Germany.
The Weekly News
Posted by Sally Jenkins in Markets on November 15, 2010
Just a quick post to let you know that Jill Finlay at The Weekly News is no longer accepting short stories in hard copy format (i.e. in the post). She can now only accept submissions via email to the address jfinlay@dcthomson.co.uk.
For full guidelines about submissions to the Weekly News (and all the women’s magazines) have a look at the fantastic womag writer’s blog.
RNA New Writers’ Scheme
Posted by Sally Jenkins in Events, Writing on November 13, 2010
I’ve just come back from a meeting of the Birmingham Chapter of the Romantic Novelists’ Association. We get together every three months at the Edwardian Tea Rooms in the Birmingham Museum and Art Gallery for lunch and a chat 
about writing in general and romance writing in particular.
I joined the RNA at the beginning of 2010 through its New Writers Scheme, which provides unpublished authors with a comprehensive report on a full-length romance novel. The report covers characters, plot and the suitability of the novel for its intended audience. This scheme has a limit of 250 places and opens for applications at the beginning of January each year (but you do have until the end of August to submit your manuscript). The scheme is usually full within a month – so you have to be quick off the mark!
My novel came out of this very badly but nevertheless it was money well spent. The following points came out of the detailed critque:
- Aim at a readership that you can identify with – it’s hard to write to chick-lit for 20-somethings when you’re old enough to be their mother!
- Get to know your characters before you start writing – my heroine had many inconsistencies in the way she acted, leaving it difficult for the reader to care about her at all
- Work out the plot in detail, again before you start writing, mine had as many holes as a seive
- Only include scenes that move the story on otherwise the book becomes dull
Don’t submit to the New Writers’ Scheme if you’re afraid of criticism – parts of my report were quite brutal. Recognise the report you receive for what it is – an attempt to help you become a better writer and that can’t be done without honestly telling you if your novel is bad.
Of course not everyone’s work is as bad as mine! Anne, who I met at lunchtime, was given some useful advice about giving her 1950s heroine more oomph and she is now working to improve her book. About 5% of manuscripts submitted to the scheme are judged worthy of a second reading and may then get sent on to an agent.
If you decide to submit – Good Luck! and remember, contrary to popular belief romance writing is not easy.
Today’s writing prompt: Easter Egg (not very seasonable now but remember if you’re writing for publication, magazines work several months in advance).
Instant Writing
Posted by Sally Jenkins in Writing on November 9, 2010
Instant writing against the clock puts you on the spot and forces you to conquer the blank page. It’s a great way of warming up the imagination and getting the ideas to flow.
Last week at my writing group (Lichfield and District Writers) we did some instant writing based on a selection of objects brought in by one of our members (thanks Sylvia!). Then we shared our work. Few of us had a complete story but there were lots of promising beginnings plus some middles that could be moulded into publishable stories later. These were all pieces that would never have been written if we hadn’t been forced to pick an object and sit down to write for a specified amount of time.
If you’re struggling to put pen to paper or battling writers’ block then have a go at doing your own instant writing at home. Set yourself a time limit (try 15 minutes) and choose a subject such as:
- A photo in a magazine – use it to create a character study
- A postcard you’ve received – try to think up a story to suit this setting
- Put a selection of small household objects on a tray and choose one a day as the subject of a poem, short story, memoir or article
Once you’ve got the creative juices flowing you may well find yourself immersed in an idea and happy to continue past the end of your time limit to finish the piece. If it hasn’t worked for you this time, don’t worry – whatever you have managed to scribble is better than nothing and tomorrow is always another day and a new piece of instant writing.
To help you along (and maybe inspire me too!) I’m going to include an instant writing prompt at the end of each of my blog posts. You can use it to kick-start a piece of fiction or to inspire the poet within or even build an article around it.
The first instant writing prompt is:
An Alarm Clock
Iain McDowall
Posted by Sally Jenkins in Authors, Events on November 6, 2010
This week I went to listen to the crime writer, Iain McDowall, speak at my local library.
“Most writers hate writing,” he said.
Iain then went on to explain how we, as writers, have a vision in our head of the book that we want to get down on paper but very rarely succeed in recreating this perfect vision in words. Therefore many of us have a reluctance to actually start the writing process because of this near impossibility of getting things down on paper exactly as we want them.
I found it a great relief to know that I am not the only one who puts off working on my ideas because I’m scared that they’ll crumble into nothing when I start trying to put them into words.
Iain has been a full-time writer for several years, has published six crime novels and is now working on his seventh.
“Writing for a living is much harder than my previous jobs,” Iain explained. “It’s more stressful and uncertain. I don’t recommend it.”
Iain’s novels centre on the fictional town of Crowby, which is located somewhere in the Midlands. His detectives are Frank Jacobson and Ian Kerr. The crimes that these two men investigate are either real (with the details heavily disguised) or they are crimes that could conceivably happen. Iain doesn’t go in for manic cannibalistic serial killers because he wants his books to be about life as it is. He’d like to think that in years to come his work might offer a window on to the world as it was at the beginning of the 21st century.
Writing crime requires research and in his early days as an author Iain used a contact in the police force to get the information that he needed for his books. He still keeps up to date with new developments in forensic science etc. and much of this is now available on the internet. However, he stressed that very little of his research ends up in his books but it does give him the ability to write confidently.
“I don’t follow police procedure to the letter,” Iain went on. “If I did the book would be very boring because everything would take too long. Sometimes I make the procedure up.”
Iain gave some final words of advice for wannabe authors:
“You should always write for money and treat it like a proper job.”
Sally Jenkins 
