Rosie Amber is a reader extraordinaire, in August alone she read and reviewed thirteen books, ranging from The Hundred Year Old Man Who Climbed Out Of The Window And Disappeared by Jonas Jonasson through The Honey Trap by Mary Jane Baker to Wild Boys After Dark by Melissa Cooper. Rosie also has a team of reviewers and book bloggers whose reviews appear daily on Rosie’s blog.
So last month I approached Rosie and asked if she, or her team, would like to review Bedsit Three. She agreed to offer it to her reviewers and three .mobi files (for Kindle) went off to her team. Two of those reviews have now been completed.
Both reviewers awarded four out of five stars.
If I was doing my sales pitch now I’d just quote you the good bits but I’m going to be honest and quote the constructive criticism too – criticism that I’ll be taking particular note of as I work on my second book.
On the positive, Terry Tyler said, “… the characterisation is extremely good – I loved the parts about the increasingly disturbed Ignatius, and Sandra and Ian are both real and likeable, the sort of characters you root for. The plot is perfectly paced, alternating between the three main characters, with no boring bits; I was not tempted to skip read at all, and read 80% of it in one sitting.”
On the negative, she said, “On occasion I felt the dialogue was a little unlikely, and I thought Ian’s story was too speedily and rather drearily wound up in the epilogue (I hoped for so much better for him!), but these are my only complaints, and they are but minor.”
On the positive, Judith Barrow said, “I really enjoyed this novel, it’s a good psychological thriller that steadily builds in tension until the end. Sally Jenkins’ style of writing is easy to read without being cosy. Her words take the reader steadily through the plot without revealing too much, yet there is also subtle foreshadowing. .”
On the negative, she said, “My only disappointment in the whole of this book was with the dialogue. Sometimes, with all of the characters, I thought the dialogue was stilted (perhaps a little contrived?) and didn’t fit their portrayed personalities. Every now a then a section of speech felt as though it was there, not so much for exposition, but for explanation to the reader.”
Thank you very much Terry and Judith for your comprehensive and helpful reviews (I’ll definitely be watching my dialogue next time!). And many thanks to Rosie for setting the whole thing up and tweeting tirelessly!
#1 by juliathorley on September 10, 2016 - 6:10 pm
There’s some really useful feedback there, isn’t there? Even the negative isn’t that bad! Dialogue is so tricky. I think it’s because in real life we don’t speak in proper sentences, we stutter, we hesitate, deviate and repeat. But if you try to write it down it like that it either looks too long-winded or simply pretentious (Oooh, look at her trying to write street talk.).
#2 by Sally Jenkins on September 10, 2016 - 7:36 pm
You’re right, Julia – dialogue is hard but I suppose it’s a very important part of what makes a character. As you say, extremely useful feedback. Onward and upward!
#3 by Rosie Amber on March 12, 2017 - 11:00 am
Thank you Sally, I have just found this post while surfing google, so gad we could help.